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In the history of China, during the Kangxi era, the route of Burmese jade to the Central Plains was opened. During the Qianlong period, the access to Hetian jade's internal transport was opened, which enabled Hetian jade to enter the mainland in large quantities, which directly promoted the rapid development of jade crafts in China.
In general, the palace jade used in the Qing Dynasty was directly dominated and influenced by the art of the Qing Dynasty court.
The jade work is rigorous and meticulous. Some of them are meticulously crafted, such as carved paintings, and some are used in polishing to show the beauty of the warm and crystal-clear jade.
In the Qing Dynasty, heavy white jade, especially the sheep white jade, the topaz was rare, and it was also loved. The folk use of jade is the most and most refined in the two rivers. In the Qing Dynasty, jade workers were good at drawing on the achievements of painting, sculpture and arts and crafts, creating and developing jade crafts with strong craftsmanship and decoration. They have distinct characteristics of the times and high artistic attainments.
In addition, the jade works produced in each period of the Qing Dynasty are also different.
During the years of Shunzhi and Kangxi, the jade industry was sluggish and the output was extremely small, but the palace used jade is still lacking in quality.
During the Yongzheng period, the economy recovered, the handicraft industry developed rapidly, and the jade workers re-emerged.
The jade articles of the Qianlong period had distinct local characteristics and belonged to the Arab style. However, the shape and ornamentation were relatively simple, and there were many light elements, which were not heavy-grained and slightly rough.
During the Dao Xian period, the shortage of jade materials and the economic recession gradually declined. Until now, the jade market has slowly recovered. More and more people are aware of the value of the jade in the Qing Dynasty. An unusual jade storm was set off.
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